AGNIESZKA KURANT, SEMIOTIC LIFE (2022-25)
Volume First Encounters with AI: Writers on Writing
Forthcoming in Fall 2026 in a public-facing series with the University of Michigan Press.
Paper, Hardcover, eBook. Preorder from the press and use ARTHUM40 for 40% discount. Barnes & Noble, Amazon, and other bookstores will deliver on November 17.
How has the entry of AI into the space of writing and reading changed the creative world?
Introduction: Navigating a New Topos by Nina Beguš, editor
Language Models and Desire: A Lexicon by Allison Parrish
Why AI Won't Make Art Easy to Make by Ted Chiang
The Death of the Death of the Artist by Annelyse Gelman
On Writing Poets by Sasha Stiles
Linguistic Mirrors by James Yu
No One Writes Alone by Hannes Bajohr
Deep Writing: A Hermetic Practice in LLMs Era by Qiufan Chen
Co-Writing with AI (Academic Style) by Joseph Dumit and Gerardo Con Diaz
Prayers, Essays, Poems and Games by Iain S. Thomas
Ten Trillion Things I Hate About You by Nicholas Nardini
About Life by Jasmin B. Frelih
Novel Audiences by Katy Ilonka Gero
What If in the End by Alex Saum-Pascual
First Encounters with AI gathers some of today’s most original literary minds to explore one of the central artistic and cultural questions of our era: What happens to writing when language is no longer used only by humans? As large language models enter the public imagination and everyday creative practice, writers across genres—novelists, poets, screenwriters, essayists, translators, scholars, technologists, language artists—are grappling with profound shifts in how stories are conceived, crafted, and shared.
This volume brings together seventeen acclaimed contributors from around the world to reflect on their early, intimate encounters with generative text at a moment when artificial intelligence feels at once thrilling, unsettling, and unavoidable. Their essays portray AI not as a monolith, but as a dynamic field of possibility and tension between creativity and computation, where longstanding human questions about intention, desire, authorship, labor, and value gain new urgency. Ranging from deeply personal meditations to critical provocations, from philosophical investigations to playful experiments, these writers reveal how writing tools shape writing itself—and what is at stake when those tools begin to imitate us. Curated and introduced by editor Nina Beguš, First Encounters with AI offers readers an essential guide to navigating this new literary landscape. Together, these essays map the terrain of our first contact zone with AI, offering clarity, insight, and imaginative depth at a moment of radical change.
Book Events
• November 5, 2025: Art of Writing, Townsend Center at UC Berkeley: Nina Beguš, Hannes Bajohr
• December 2, 2025: Artificial Humanities Book Launch, Commonwealth Club in San Francisco: Nina Beguš, Ted Chiang, James Yu (Recording)
• August 19, 2026: Tiat event #1 on AI and writing: Nina Beguš, Vanessa Chang, Hannes Bajohr
• October 22-24, 2026: Artificiality Summit: Nina Beguš
• November 2026: David Geffen Theater, Academy Museum of Motion Pictures: Nina Beguš & Denis Villeneuve
• November 2026: CSTMS, UC Berkeley: Nina Beguš, Hannes Bajohr, Nicholas Nardini, Joseph Dumit, Alex Saum-Pascual
• December 2026: Tiat event #2 on AI and writing: Nina Beguš, Alex Saum-Pascual
• January 21, 2027: Gray Area book launch: Nina Beguš, Halim Madi, Hannes Bajohr, Annelyse Gelman, Helen Shewolfe Tseng, Spencer Chang, Althea Rao
Book Reviews
“Finally, a book that avoids the blanket doom or utopia scenarios offered by critics and acolytes of large language models. First Encounters with AI shows real writers grappling—in ways both reasoned and affected—with the implications of these systems for the work that is most at stake: writing, reading, and the teaching of both. Engaging from start to finish, the essays assembled here range from the personal to scholarly inquiry, and together they refuse the pressure to declare AI use in strict binary terms: good or bad, useful or lazy. Instead, First Encounters with AI offers a clear-eyed articulation of what it can mean to be a writer, creative or academic or otherwise, amid this moment’s swarm of AI tools and strong opinions. Edited by Nina Beguš, whose Artificial Humanities provides a critical framework, the collection suggests a nuanced reframing: not writing in the age of AI, but AI’s moment in the long durée that is the age of writing.”
- Lillian-Yvonne Bertram, author of Travesty Generator
“Nina Beguš has assembled an essential collection of essays about the impact of AI on writers’ own understandings of artistry and craft. First Encounters with AI avoids polemic in favor of richly nuanced discussions of generative AI by writers who have used the technology or are deeply familiar with its history and ongoing development. Anyone who reads this collection will come away with a sharper understanding of not only AI, but also aesthetic judgment, literary form, and the meaning of meaning.”
- Aarthi Vadde, author of We the Platform: How the Internet Changed Twenty-First-Century Literature
“Every first encounter mission sends an expedition, and there is always a linguist on the team. This encounter is made entirely of language. So Beguš sent nothing but linguists, poets, people intimate with the word, Bajohr on the subtlety of surface imitation, Parrish twisting a lexicon into desire, and so many other excellent thinkers. A multitude, at a moment when the narratives being served are monochrome.”
- Halim Madi, computational poet